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Initially, although part of the Case Study Houses, the Stahl house did generate particular attention. It was only when Julius Shulman released a photograph depicting two women lounging in the corner of the house with the panoramic view of the city through the enormous windows, that the public became enamored by the house. Chances are that you have seen the Stahl house featured in either a movie or a popular magazine. A modern glass box built on a seemingly impossible site with its steep slope is considered one of the most iconic and easily identifiable residences in Hollywood.
Arizona house votes to repeal state’s near-total ban on abortion
A week ago, one Republican in the Arizona house joined 29 Democrats to bring the repeal measure to a vote, but the effort failed twice on votes. The Arizona supreme court earlier this month concluded the state could enforce a long-dormant law that permits abortions only to save the pregnant patient’s life. The ruling suggested doctors could be prosecuted under the law, first approved in 1864, and that anyone who assists in an abortion could face two to five years in prison. On April 9, the Arizona Supreme Court ruled the controversial ban could take effect, drawing criticism from both political parties. The 1864 law the Supreme Court ruled could be enforced called for a near-total ban on abortion, making it a felony with up to five years of prison time to perform an abortion unless the mother’s life is in danger. The 1864 law bans abortions at any stage of pregnancy, with exceptions only for the life of the mother.
House deadlocks on abortion repeal, preserving GOP control
Despite the glamorous women, the lights of Los Angeles, and the fashionable Van Keppel-Green furniture, the allure of the Shulman photograph is the house itself. The glass-and-steel-framed “jewel box” represented a new building style—a modernist postwar house built of mass-produced, prefabricated, standardized parts. This glass house fulfilled postwar promises made by countless shelter magazines featuring “brighter,” “more cheerful” small houses that offered everyone a piece of the American Dream. Buck Stahl had envisioned a modernist glass and steel constructed house that offered panoramic views of Los Angeles when he originally purchased the land for the house in 1954 for $13,500. Stahl had originally begun to excavate and take on the duties of architect and contractor; it was not until 1957 when Stahl hired Pierre Koenig to take over the design of the family’s residence.
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A limited number of signed copies of the book will be sold at the house. To book a tour and see a preview of a documentary film about the house, visit stahlhouse.com. Every day in the spring of 1954, Buck and Carlotta would gaze up at the lot. They could see it through the sliding glass doors of their living room, between the eucalyptus trees rustling on their patio, and from the patch of dirt on Hillside Avenue where they parked their convertible. “This lot was in pure view—every morning, every night,” Carlotta told historian Philip Ethington.
Koenig took hands-on experimental risks to forge a new way of suburban living. He was devoted to using industrial, prefabricated, and economical materials, and he advocated the use of natural ventilation. After his tour of duty, he attended Pasadena City College for two years and ultimately earned his architecture degree at USC in 1952.
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With interior staging courtesy of Design Within Reach, the original design remains largely intact—and some modified elements, such as kitchen counters, will eventually be restored. California’s population would grow from ten million in 1950 to more than fifteen million in 1960. It was nothing then but an empty lot, a flat spot roughly graded for development, the runt of a handful of terraces sculpted into the hillside. “Even though it was the smallest one,” Carlotta said, “this is the one that caught our eye.” It was a cocktail napkin of real estate, and on it Buck and Carlotta sketched the blueprints of their future. They imagined how their lives might unfold on that modest patch of dirt, that little notch carved in a Hollywood hill.
Despite the intensity of their longing, the Stahls assumed they would never be able to afford this kind of real estate, not even with two incomes and no kids. Republicans have narrow majorities in both chambers of Arizona’s Legislature, and had blocked earlier repeal efforts in the two weeks since the Arizona Supreme Court ignited a political firestorm by reviving the Civil War-era law. The almost-complete ban on abortions in the state could go into effect as soon as June 8 if the State Legislature does not repeal it, the state’s attorney general said. Three Republicans joined with all 29 Democrats on Wednesday to support the repeal of the law, which predates Arizona’s statehood and provides no exceptions for rape or incest. In its third attempt to repeal the ban, the Arizona House of Representatives voted in favor of the repeal—Republican Reps. Matthew Gress, Justin Wilmeth and Tim Dunn crossed party lines to vote with all the House Democrats. Baker and three friends observed the House proceedings from the gallery, then left to join a rally outside the House in support of a citizen initiative to write abortion rights into the Arizona Constitution in November.
Bruce and Shari said it’s about honoring how hard their parents worked to have the house and share it with others. While both the Case Study House No. 21 and Seidel House have the steel beams close-framed to form rectangles, holding large overhangs the deck and giving the appearance of building a bird on the verge of flight on a precipice. LAist is part of Southern California Public Radio, a member-supported public media network.
You Can Own This Architecture Icon’s Personal L.A. Home for $5 Million - Robb Report
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Posted: Fri, 26 Jan 2024 08:00:00 GMT [source]
Arizona House Votes to Repeal 1864 Abortion Law
The Case Study Houses were beautiful experiments in residential architecture, all spawned from an Arts & Architecture project that lasted from 1945 to 1966. Production of the house started in the middle of the year in 1959 and was concluded in May 1960. The skin of the house was mainly constructed from glass and steel, popular materials for modern and international-style buildings.
Drenched in sunshine, swimming in sky, the ridge swept out from the mountain like a buttress on a cathedral. The newlyweds could see it from the one-bedroom flat they rented in the Hollywood Hills. Northwest of downtown Los Angeles, the Santa Monica mountains paraded along the Pacific, a curtain of ridges and canyons fading into the coastal mist. Surrounded on three sides by cliffs, it seemed to float above Sunset Boulevard. On its tip was a lot that stood alone, an island in a sea of blue sky.
“On the ground, good soil,” Koenig continued, “put a swimming pool and garage and the house, in a way, seems to float in space… The building is held on pillars and sharp overhangs. “The structure rests on concrete pads hincadas of 10.50 meters on the slopes of the mountain, while the slab of concrete cantilever is supported by reinforced concrete beams of 750 mm. Stahl House is an elegant modernist-styled building in Hollywood Hills, considered an iconic example of 20th-century architecture.
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